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Return-to-Flow Chart

In a recent deep dive into the “Art Business” file on my computer I came across a Word document that I’d created in 2008. At the time I’d been trying to convince myself that leaving a perfectly decent job to direct all my focus and attention on my art career wasn’t a completely crazy idea.

The document – titled “18 hours” (the number of hours I generally worked each week in my auxiliary arts admin job) – compares the income I was grossing to an alternate reality of making that same income solely from my creative practice.

NERD ALERT: First I broke down my on-paper net hourly wage so that I could see what my gross hourly wage was. This made me feel less slightly less irresponsible for wanting to ditch my job because I wasn’t leaving a $25.00/hr job, but a $17.18/hr job.

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Why Make Art During A Global Crisis?

Watching New York City’s creative sector navigate through the closures caused by COVID-19 has triggered a deeply embedded story of mine.

In ten weeks of shutdowns two of my favourite galleries and a beloved local theater have announced permanent closures. I expect many more announcements like this in the weeks to come as NYC remains in PAUSE. Witnessing cities in other states planning to pull government funding from the arts sector to redistribute elsewhere (Philadelphia) I start to wonder if this will happen in New York, too. Without funding many smaller, artist-run venues can’t sustain themselves. If the arts aren’t considered valuable enough to be saved by society, what is the value, by association, of art itself?

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Get Out of Goal, Free

I’m a Virgo and in typical Virgo nature I LOVE structure.

To-do lists, goals, annual plans, quarterly reviews – any kind of system or tool that takes all the stuff swirling around my brain and puts it in an efficient holding place is super sexy to me.

This level of organization might come off as a bit incongruent for an artist type person but it’s key to my success.
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