When Molehills Are Actually Mountains
This month I have been considering small things that have had a big impact.
We’ve all had them – those seemingly unimportant encounters that ended up making such an impression that they influence the way we move in the world.
For me, there is one particular encounter that vastly shaped the way I work and create art – a molehill that was mountainous in its effect.
In my final year of studio classes I took a drawing elective that focused on collage. The name of the faculty member who taught the course was Rick Williams and I’ve always regretted that I hadn’t taken a course with him sooner.
Two important take-aways from his class have stuck with me. Here is the first one (totally paraphrased, of course):
“Collage is about creating a visual surrogate. Aim to capture the essence of the mood, pattern and colour of the object. Don’t try to replicate what you’re seeing in a photographic way but rather try to approximate.”
This advice may seem antithetical to the extremely detailed way in which I work but I do adhere to it, I promise 😉
I continually simplify shapes, pattern and color in my work, giving a suggestion of what it is I’m striving to convey and letting the viewer mentally fill in the blanks. If I were to try and replicate clothing and accessories exactly to scale – especially at the size I’m working – it would (if it were even possible!) result in a clunky, static, and “overstuffed” piece of art.
Here are a few concrete examples of when I’ve put this theory into practice…
The second seed of wisdom that Rick Williams imparted was this (and I remember him telling me this so clearly that I feel like these words are verbatim):
“Your work has a lot of humour. Don’t ever lose that.”
I took these words to heart.
The advice was easy for me to follow. It feels completely natural for me to infuse humour into my work, even – and especially – when I explore seriously weighty subject matter.
The humour I use is often dark and slanted toward satire, offering a cutting commentary on the issue I’m exploring. Working on the theory that you get more flies with honey than with vinegar, I try to attract viewers with a sharp whimsy that I hope will cause them to pause and consider what I’m presenting.
Here are some works where I’ve used a playful veneer to coax viewers into an intimate relationship with my work:
When I’m making art in my studio these days I feel it’s less like a solitary undertaking and more like a massive collaboration with everyone I’ve ever come into contact with. I’m grateful for all the moments – from lifelong associations to the briefest of encounters – that have made me into the artist I am.
What seemingly small molehill has had a mountainous impact on your life? Please share in the comments below!
Jody – you are brilliant & inspiring. I am sorry I missed the summer tea. – Shirley
Shirley, thank you for your sweet words. You just made my heart sing! I’m sorry we missed connecting this summer – it will happen next year for sure 🙂